synthosophia

The synthesizer, with its operation of consistency, has taken the place of the ground in a priori synthetic judgement: its synthesis is of the molecular and the cosmic, material and force, not form and matter, Grund and territory. Philosophy is no longer synthetic judgement; it is like a thought synthesiser functioning to make thought travel, make it mobile, make it a force of the Cosmos (in the same way one makes sound travel).

_______________________
-- G.Deleuze and/or F.Guattari
because she wont put away|
because language is number
because her brain is setee
her heart is stem
her hand feet

MOna is a SynThesizer her zipper's alway undone her cosmos is the sodden sound ravvel
A Thousand Plateaus (p.343)

synthosophia

The synthesizer, with its operation of consistency, has taken the place of the ground in a priori synthetic judgement: its synthesis is of the molecular and the cosmic, material and force, not form and matter, Grund and territory. Philosophy is no longer synthetic judgement; it is like a thought synthesiser functioning to make thought travel, make it mobile, make it a force of the Cosmos (in the same way one makes sound travel).

_______________________
-- G.Deleuze and/or F.Guattari

MOna is a SynThesizer her zipper's alway undone her cosmos is the sodden sound ravvel
A Thousand Plateaus (p.343)

The Time-Image (Gilles Deleuze) « P O E T I C T I O N A R Y

ou devenir, les amants des mots.les amants des choses. the night is ra[e] dio. click off the
.




The Time-Image (Gilles Deleuze) « P O E T I C T I O N A R Y


& over here http://www.film-philosophy.com/archive/vol5-2001/index.html



our 'devenir oiseaux' ever go wrong
our devenir-cinéma ~

12 years since November 5,1995 one death and ...

12 years . absent absence & presence of the philosopher. his work waves now ,, in wave ..


______________________>

Deleuze
12 years . absent absence & presence of the philosopher. his work waves
now ,, in wave ..

since Vincennes day & night.. smoke filled salles de lectures...

plateau

niveau strata

molecule .. lignes des... fuites... lobster.. articulation.. . clover dance...

_ here then __ there then

19_ 84 Foucault ...

dark intercessor of

light particules.. wave...

condensed-becomings

les devenirs....
musique ~ le most deterritorializing....


avez-vous des questions a poser?






for 14 year _ in other life doctor duffy almost _ worked with music et performance et poésie et and finally, this longish project near to complete ... 'cette longue diversion' presque complète ...que je suis toujours en train de faire... presque fini.... on vas retournez au les assemblages musicale performative poétique.. yes, assemblages musical to return when this 'other' long writing pr'ject J'e 's

go back go to musique.. alors, on va ...

J'e's gonna go back to the front playin with voice music ...

go backing to forward ritournelles

tournelles...
tour ... 'elles.....

tour
'n'
elles...
ri
ri

an attendant des assemblages... écritures...

mais, but this disjunctive synthesis does not exclude but including

machine includiSive assemblage.. along the smooth surface

of the plane of consistency....


en cadre d'immanence.... des immanences ... d'immanences...

but the writing machine does not


disclude <_________________________________

________________> music machine

___________________________________________assemblages <_____________________>

JMW: Avital Ronell's Theories of Stupidity

radio blog _ here the stupid exposed. as want to wish its tearing width. as hop hooped hope. word less. short then/ ~ of which then /~ .


JMW: Avital Ronell's Theories of Stupidity: "'There was yet another call, on an internal call-waiting system. It was Beckett. I remembered having read an interview, a pretty famous one by now, in which he said that Joyce tended toward omniscience and omnipotence as an artist, but I'm working with impotence, ignorance. That's what he said; it really stuck with me, in fact, it signaled a stupendous break-through. At once simplifying and complicationg the whole itinerary, it belonged together with the times he says, 'I don't know why I told this story,' or the avowal in 'Texts for Nothing': 'I don't try to understand, I'll never try to understand anymore, that's what you think, for the moment I'm here, always have been, always shall be, I won't be afraid of the big words anymore, they are not big"