Tropic of Cancer___China_Weed

It is to you Tania that I am singing...
.I Am Living At The Villa Borghese

Everything begins in the middle ...

'China is the weed in the human cabbage patch. .... the weed is the nemesis of
human endeavor...Of all the imaginary existences we attribute to plants, beast and star the weed leads the most satisfactory life of all.

True, the weed produces no lilies, no battleships,no Sermons on the Mount ....eventually the weed gets the upper hand. Eventually things fall back into a state of China
. This condition is usually referred to by historians as the Dark Age.

Grass is the only way out.... the weed exists only to fill the waste spaces left by cultivated areas.

It g r o ws between ~,
among other things.

The lily is beautiful, the cabbage is provender, the poppy is maddening__
but the weed is rank growth...: it points a moral..."

Guattari and Deleuze our friendly lecturers continue with a question " Which China is Miller talking about? The old China, the new, an imaginary one, or yet another located on a shifting map?





A

master ? Live a blame worthy life! Mister Big Sur

Le Cri de la carpe à Querbes_ Found

------------------------------- I found this fine intense performance of La Chant de la Carpe by Ghérasim LUCA performed by Dominique Fonfrède, French performance artist I've never heard of her and how could I have? But i have now and am passing this along...joyously... it's wonderful, intensely splendid, intelligent and repetitively stuttery done as a Lucas reading itself... she brings a light and visual beauty to his poem, that i usually don't picture when I've read him, or heard the few recordings of his . THe piano is jazzy and hides a somber river inside this performance of the text....

------------- Gherasim Luca was yet another Romanian poet who wrote and livin in Paris, he died in '94 ~(he took his own life by drowning, as did Paul Celan; it looks like drowning is the preferred method for poets who want to die by their own hand) ayear or so before Gilles Deleuze. Deleuze had been an admirer of Luca's writing for many years. . Deleuze spoke about his poetry in One Thousand Plateaus, and the Logic of Sense, an there might be an allusion to Lucas in Sensation of Logic, the book about the painter Francis Bacon

The french notes here are the youtuber's

"LE CRI DE LA CARPE, Dominique Fonfrède, voix
Ann Ballester, piano -Création au festival de Querbes en 1999
Interprété ici: le Chant de la carpe de Ghérasim LUCA (extrait de la vidéo de 15')
Toutes les images « scéniques » sont générées par des anamorphoses du corps des interprètes «calculées» par le logiciel After Effects. Le parti pris est celui d'une scénographie numérique dans laquelle le montage serait banni. La 3D multiplie les couches d'images pour produire un espace feuilleté qui ne cherche pas à imiter la profondeur naturelle de la scène. L'œil du spectateur ne dispose donc pas du confort convenu d'une profondeur de champ fictive (virtuelle). Ici c'est une oreille qui voit et accompagne l'évolution des formes au plus près du cheminement poétique."

prof chal....

Prof. Challenger what are you doing Here? is this radio or head zone? is this destrafication or congregation... when does the lobster snap his claw? articulate as any monster you dance the anyone dance alone as differnet repeat replete as velvet cushion her arse a sweet bell-bottom butt.

Prof. Challenger what are you doing Here? is this radio or head zone? is this destrafication or congregation... when does the lobster snap his claw? articulate as any monster you dance the anyone dance alone as differnet repeat replete as velvet cushion her arse a sweet bell-bottom butt.

a revolution of the ali Ve

Pessoa Pessoa what didjaya knowa?
knowa?knowa? ya new all
all all
ya knew allallall
_______________________________
From Chrisopher Kinman's Territories of the Alive
whose owner
A Canadian blogger, who describes his project
as "Experiments in Rhizome -- the Blog"

Pessoa and his numerous heteroynms is the very picture of the plateau thinker, the maker of inventive masking, personafictation gracieuse
--------------------------------------------



"My favourite of Pessoa’s heteronyms was named Caeiro. Pessoa himself claimed that he (Pessoa) was a disciple of Caeiro. ...

A few of Caeiro’s words...

Because I see it. But I don’t think about it
Because thinking is not understanding...
The World was not made for us to think about
(To think is to be eye-sick)
But for us to look at and be in tune with...

I have no philosophy: I have senses...

If I speak of Nature, it’s not because I know what Nature is,
But because I love it, and that’s why I love it,
For a lover never knows what he loves,
Why he loves or what love is...

As Gilles Deleuze argued for the immanent, for a world where nature is able to speak, on its terms, within its on uncountable diversity, and as Gregory Bateson turned toward what he called the grammar of the Creatura, so also Pessoa... Through Caeiro he calls forth a world where we cease to assess and calculate, we cease to encapsulate, to reduce to simple terms, and we experience life as close as possible to where it is encountered, in the way it is encountered, with a language which sees, and in turn, loves."
________________

Immanence is kindness, by definition because of the nature of its this worldness. However, kindness in this regard is not a Christian virtue based on pity, but on the communism of thought, and the absennce of a theological boss, called God.

"Medea"

stop the~ e machine_ permuations of subject...ivities

professor challenger joins the future the people which is callin'


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you've seen many liars. of these the pilaster is the Worst.
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we dont need the dream. we need the real.

radio radio~sculpture

radio radio

Depuis 06:40:26 :

Académie des beaux-arts

La sculpture en France après 1945

par Lydia Harambourg, correspondant de l'Académie des beaux-arts

Diverses tendances traversent la création sculpturale depuis 1945. Tiraillement entre art abstrait et réalisme. Héritage assumé ou rejeté de Rodin, de Bourdelle et de Maillol, de Germaine Richier. Attrait enfin pour de nouveaux matériaux, notamment le métal et le plastique. Lydia Harambourg, historienne de l'art et correspondant de l'Académie des beaux-arts, analyse la richesse des inspirations dans l'histoire récente de la sculpture. Ecoutez la retransmission de la séance de l'Académie des beaux-arts du 5 mars 2008.

o La bétise - bétise, deleuze, debussy -

Ought Mona to hold her shoe.Her shoe, holding her shoe.Her shoe held to the light. So to the light. Held to the light. its harmful hinder cared to the time. Wondererd at its loft. As her hair held up ~

O la La bétise - bétise, darned her wool daily unwedding wedding the corrupt personas of her shading saying this tellin
that
conquering
ruining
everyone
knows

La bétise
Uploaded by wilouil

jack keroauc to deleuze

go on down man
go moan for man

go moan

radio lignes de fuites

yes well extending it's what it's about . we alway. said that.

Michela Marzano analyses the cult of the body beautiful

Belgium - La Libre Belgique | 08/02/2007

The French philosopher Michela Marzano, has coordinated a 'Dictionary of the body'. She explains this work in an interview conducted by Geneviève Simon. "The idea was to gather about me a certain number of people who are already working on the body and to unite them around a unique project: an attempt to consider the body as a prism for reading today's society and a certain amount of uneasiness that characterises it. ... There exists a real cult of the body, but few people realise that the body we are talking about is an ideal body. The image of the body is proposed as a target everyone can reach although, as an ideal, it is unattainable. We also wanted to show that today we still have yet to extract ourselves from an on-going characteristic of the history of thinking: a dualism between body and mind. As a consequence of this opposition, many philosophers and intellectuals consider that soul, thought and reflection count more than the body, perceived as an obstacle - from an ideological point of view - to attaining knowledge and virtue."

from eurotopics

with other connecting ~

to ~

Le corps démultiplie L

e cor

ps démultiplie Le c

s démultiplie Le c



orp

s démultiplie