Mnémotechnique du Cliché 2 so then

for some strange reason that video from the previous posting... was deleted from daily motion. and thus from the blog... i cannot find the person who put it up there either. his or her account has vanished into the thin! air like these our actors as I have foresaid.


in lieu of that (until I found out, if ever, what became of the video that has now disappeared) I am adding this video of Richard Pinhas, musician and friend of our Dear Doctor Professor Challenger.



Richard Pinhas est un musicien, compositeur et guitariste. Pionnier des musiques électroniques en France, il créé le groupe Heldon en 1974.
Ami du philosophe Gilles Deleuze, il est à l'origine du site internet webdeleuze.com (http://www.webdeleuze.com/php/index.html). Le site, devenu une référence concernant la pensée du philosophe, donne accès à des retranscriptions de cours de Deleuze.
La dernière production de Richard Pinhas, Keio Line, sortie en octobre 2008 (Cuneiform)est une collaboration avec le musicien japonais de noise, Merzbow.

Richard Pinhas, musicien - Interview Magnetic Room
Uploaded by magnetic_room

His smile and laugh like his music is disarming. One might say, his smile is Deleuzian and his speech Guattarian and his music Pinhasian. Alors, il faut etre un devenir des choses....

readin' & writin'

------------------- ProFessor Challenger Voila! I read and read. an my persona is personafictation of lignes des fuites and sorties des bordellos. Lines of departure and arrival. Or zigzag lineaments of gratified and perishing desire. In the winter balloons. of strata and fictionations.

reading the Idiot _ Dostoevsky. which I started over ten years ago. and the hectic speed of this writer is sheer genius. the translation _ by constance someone or other is laboured.
in russia, they'd laugh at the gauchness of this rendering of expressive Russian. but no matter the woman, did what she did then, and I am grateful to have it.

Myshkin barely arrives to Russia and the whirlwhind of events begins. all the ingrediants of Karamazov and the Possesed are there as well. A hectic mad pace: a melodrama of life and death. A cutting inward shove into character.

( afew years back i attended a year long seminar on Dostoevsky) (the man who gave the seminar was a canadian who'd been going to russia since 84)

Apparently he wrote in Florcence, while doing what most artists and poets have to do: flee debtors: except the tenured university ones, and these are hardly artists at all; I love Russian writers, and this book makes my head. spin. I have to read it in pieces. it was written with thousands of tensions builit into. it.

(russia in 86 - is notthe same as Russia 2004)
(but who has ever found russia)
(russian poets seek its soul daily)

(yes my eyes are goin strange again; barely a year since new glasses and... well
reading and writing will do that, eh? make one's eyes strain
of course. eye glass physicans are a class of their own money makers)

Pah _ yes, eyes, to see and hear(t).
(i fear milton m ight want revenge on me! for what i wrote about him!)
O eyes,
O seeing
O sight
O immanence of
______________________________

Doctor Deleuze: Call Call Call Immanence flood of Character as its busted up gripes against reality! I have seen and heard too much My ears are fierced pierced! and eyes Bloodyshot from veins of rain! O Vision O Audition!
_____________________
_____________________________
Genet remarked that Dostoevsky who hated socialism was read by millions because of the Russian Revolution. Reversals brought on in reality and fiction.

Nietzsche, speaking of the Idiot, said that the novel portrayed his idea of Christ. Dostoevsky notably stated that if Christ was not God, he would choose Christ over god.
Neither he or Nietzsche could have imagined the hell Russians were to live inthe 20th century. the hell they lived, and that was unleashed by the forces that bear it. O good,
bear it, the Russian Bear. as always. the accident reveals.

Voila an excerpt of the Russian production of the complete novel:

"Russia, Telekanal Russia, 2003.
Drama.
The first complete film version of the Dostoyevsky's novel.
Count Myshkin returns to Russia from Switzerland where he underwent treatment at a mental hospital. On a train, he meets with Parfyon Rogozhin, who tells him of his passionate love to Nastasia Filippovna. Upon his arrival to St. Petersburg, the count introduces himself to his distant relative Mrs. Yepanchin, her husband General, their three daughters as well as to the General's secretary Ganya Ivolghin. The portrait of Nastasia Filippovna, the count sees at the Yepanchins, makes a great impression on him.
Awards: 2 wins.
Cast: Evgeny Mironov, Lidya Velezheva, Vladimir Mashkov, Aleksandr Lazarev-mladshy, Oleg Basilashvili, Inna Churikova, Olga Budina, Aleksandr Domogarov, Anastasya Melnikova, Boris Birman, Larisa Malevannaya, Mikhail Boyarsky, Aleksey Petrenko, Vladimir Iljin.
Director Vladimir Bortko."
you tuber editorial comment in quotes.via
russartcom

_________________ Come then my brothers, sisters
m y Lovers
come to my movie

the time ofthe Grand Idiot ~

tristan tzarathoustra in
the 1918 manifesto
called for the time
of the grand idiot.
what ive named
the deterritoiralization
of Lucifer
into Satan
the multiple becomings of the fleur d'
immanence ~ its veiled becomings a
river of thought

man in disorder's better
than man's mad
rational world
ordure
ordurance
des stratifications.
don thy spinoza
glass


~

~

baruch hot and cold and colder heat....

Spinoza contro-verse.

Oza Verse

Spin

invERSe

Shall I say save the dance pour moi et Spinzoa?

our dear Prince des philosophes.

Or Nietsche's Daugther coming roar to the rest. Save me! Save me! Untitled your Jackpot.

you meant daughter?

or menant daugther?

One does reverse the spin _ doctor he troubles your mind with the plate of immanences's shuffle its love glue boarding the troubled sea of sadness __

unsure “doesn’t go over well” in the way thatMOna suggesting “reversal” She Jest struck Hmmm. not a point a line a map

pas de trave

the life of Spinoza She wish at the deepest “reversal” of Spinoza occurred through Deleuze’s affect-rich, emotionally charged apprrrrrrroooooooo0priaaaaaaaaaaaaaaaaaaaaation of him (some people find not a hint of Spinoza remaining).

Prof. Challenger took out his old Baruch . blew dust off shelves stanking of mildew dank.

close of library dust.

And Nietzsche cried ahead of her : come to unaltering of altar. shake this shadow box of its ark.

Deleuze ripped him right off the alterpiece


Now our dear Baruch meander the dublin avenue Mistah Bloom hehehehere. Hear he not death. butmake up to Fillcoating pensive greatness. as grapes to watch war wrath metamporphoesed to agape.

Aside from all this, she standing on her dry head of sand. artic ice to feat. She hum as Deleuze believed__ Mister F. appear dry cold wind. Or Zarathustra: a Cold Wind___________ affective, is bracing.

And I’m not quite suCome tot he desert island O lover of the reverse

versed heart._____________ In this desert . the west is stone. as was the static. and the satanic mills of the dark industrial wheel.

Doctor lens doctor Lens breaker something reverse:

she hip to her skirt

her 'rising sun'

.

Felix came to meeting As Gilles. was 1969 She meted him at ference. there was underpinning. do dear Felix le Deleuze? Felix le faithful.

O felix Culpa!

Mnémotechnique du Cliché

a cliche, a dead proverb, what is, for instance, a joke? how does a proverb differ from a maxim? and a maxim is not an aphorism,
and what is a saying, an expression, an 'old saying' and how does the cliche block
the wisdom so called of a proverb, so to say, how it unverbs the content of its expression ./
how radio has become the aural death wish of millions ..byt eound cliche repeated endless infinite gloom of its demise of intelligence

Hommage libre à Gilles Deleuze. --- PleasE RemoVe yer hat when
coming to this parole.

La "pensée unique", son fonctionnement, son auto-generescence, sa production dans les representations mentales. Ce que le regne de l'image veux dire. Ce que la "liberation de la parole" emporte avec elle. La tyrannie démocratique de l'opinion, la noyade dans l'étendue océanique de la Doxa. Monstre de loghorée. Tenter de percevoir de l'authentique et l'être soi-même lors de quelques experiences vitales (c.a.d saisi d'un flux optico-sonore pur), voila une tâche.

mnémotechnique du cliché
Uploaded by Esunsis

becoming not mathesis

what harp holds the radio against your pirate self?
desire the night warping the band.
cutting its edge bevelled by night's grace

this way the knob turns metaphor becomings.
not mechanical signs of a lent past long its relevant

carrier.
so the radio is snow

go into

Go into your radio Doctor Deleuze the subjective empirical beast has . Shattered. Over the top. Hairy to the muscle. Played. to the tone.

of these radio there are desire. machine to clip clop your wings as the return possiblies the present. there is no space like this. these have been their name.

"Israel must lose"

______________ this statement was published a week ago first at the guardian and elsewhere. First seen by this auditor at leninologyblogspot and from there

to the original
Statement published in:
The Guardian, Friday 16 January 2009

The massacres in Gaza are the latest phase of a war that Israel has been waging against the people of Palestine for more than 60 years. The goal of this war has never changed: to use overwhelming military power to eradicate the Palestinians as a political force, one capable of resisting Israel's ongoing appropriation of their land and resources. Israel's war against the Palestinians has turned Gaza and the West Bank into a pair of gigantic political prisons. There is nothing symmetrical about this war in terms of principles, tactics or consequences. Israel is responsible for launching and intensifying it, and for ending the most recent lull in hostilities.

Israel must lose. It is not enough to call for another ceasefire, or more humanitarian assistance. It is not enough to urge the renewal of dialogue and to acknowledge the concerns and suffering of both sides. If we believe in the principle of democratic self-determination, if we affirm the right to resist military aggression and colonial occupation, then we are obliged to take sides... against Israel, and with the people of Gaza and the West Bank.

We must do what we can to stop Israel from winning its war. Israel must accept that its security depends on justice and peaceful coexistence with its neighbours, and not upon the criminal use of force.

We believe Israel should immediately and unconditionally end its assault on Gaza, end the occupation of the West Bank, and abandon all claims to possess or control territory beyond its 1967 borders. We call on the British government and the British people to take all feasible steps to oblige Israel to comply with these demands, starting with a programme of boycott, divestment and sanctions.


Professor Gilbert Achcar, Development Studies, SOAS
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Professor Slavoj Zizek, Birkbeck Institute for the Humanities
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et aussi

le silence qui parle

David Rattray ... doin... translation of Artaud...

Excerpt from Chris Kraus' short film Foolproof Illusion f...about .. Antonin Artaud .... . I've not seen the film, but I did know David Rattray and he recited this translation to tape in my kitchen. We did a radio programme_ Ways of Escape.

and the semitexte description of an anthology of Rattray's translations assembled
by Kraus.

How I Became One of the Invisible

In order to become one of the invisible, I had to go through an ordeal known as throwing oneself in the arms of God… Some of us stayed for months, others years, many forever.

____________________________

all Writing is Pig Shit if it doesn't plough the crap of being

_____________ More Artaud
here

typed up from the Artaud Anthology

__________________________________________ et ici

The Return of Artaud , the Momo....


connecting reterritorializing and deterritorializing his work around webof loom
and word of image knot

when Artaud was six

"I salute Antonin Artaud," wrote André Breton, "for his passionate, heroic negation of everything that causes us to be dead while alive."

To Have Done with the Judgement of God, a radio play by Antonin Artaud

Antonin Artaud

on

Van Gogh

One can speak of the good mental health of Van Gogh who, in his whole adult life, cooked only one of his hands and did nothing else except once to cut off his left ear,
in a world in which every day one eats vagina cooked in green sauce or penis of newborn child whipped and beaten to a pulp,
just as it is when plucked from the sex of its mother.
And this is not an image, but a fact abundantly and daily repeated and cultivated throughout the world.
And this, however delirious this statement may seem, is how modern life maintains its old atmosphere of debauchery, anarchy, disorder, delirium, derangement, chronic insanity, bourgeois inertia, psychic anomaly (for it is not man but the world which has become abnormal), deliberate dishonesty and notorious hypocrisy, stingy contempt for everything that shows breeding.
insistence on an entire order based on the fulfillment of a primitive injustice, in short, of organized crime.
Things are going badly because sick consciousness has a vested interest right now in not recovering from its sickness. This is why a tainted society has invented psychiatry to defend itself against the investigations of certain superior intellects whose faculties of divination would be troublesome.
...In comparison with the lucidity of Van Gogh, which is a dynamic force, psychiatry is no better than a den of apes who are themselves obsessed and persecuted and who possess nothing to mitigate the most appalling states of anguish and human suffocation but a ridiculous terminology,
worthy product of their damaged brains.

An excerpt from "Van Gogh: The Man Suicided by Society," originally published in Paris, in 1947.

Dear Artaud's grave site

shame

shame shame

shame shame on this country

and

shame for their

shame for their

burning

shame for their

deaths

shame for
their pain

________________________________________________________

in the ... middle middle

It's not easy to see things in the middle,




rather than looking down on them
from
above

or up


at them

from



below,




or from left to right or right to left:



try it, you'll see that everything changes. --



A 1000
Plateaus
for her dear earings
and trollope
sailors

Mister Guattari and Chimeres

O there is a charming intense beautiful informative exciting interview with
your friend vousvous at the guattari complex. about brazil
and so on and on

et Chimeres at Chimeres
Mister Don Quixote

Mathilde Girs des enfants de Don Quichottes des enfants de Don Quichottes des enfants de Don Quichottes des enfants de Don Quichottes des enfants de Don Quichotteard, Editorial : Nous sommes tous des enfants de Don Quichotte

The Logic of Expression: Quality, Quantity and Intensity in Spinoza, Hegel and Deleuze

Corry Shores at :pIrates and revolUtionaries

research machineresearch machineresearch machineresearch machineresearch machine




Simon Duffy. Entry Directory. The Logic of Expression: Quality, Quantity and Intensity in Spinoza, Hegel and Deleuze---------------------------

Duffy will demonstrate that Deleuze "redeploys" Spinoza's ideas into a philosophy of difference. Deleuze stands apart from his contemporary French Spinoza scholars Gueroult and Macherey: Hegel places Spinoza in a dialectical history of philosophy, and Deleuze's unique approach offers an alternate philosophical lineage (1b.d).

Notre Musique

Over the hills of life and death. these bears which speak night. as the whirl and hammer of history. what does a word do?
an image?

as land speaking mouth~

----------in these segments at Saravejo--
and elsewhere-----------------------------------





-----------------------------------------

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Short on words there days Mister D.
we are film. image. comme avant. avant comme ailleurs. etre humble. un peu normal.