Radio DelEuZe

5.03.2019

.. Even Jesus .. Christ. surrounded by

__________

   Even Jesus Christ surrounded by his bachelors even, knew better than

to be a Hegelian!

N laughs!

   Even if you disagree with me he shouts! you can never agree with that prolific madmen Hegel!

   SPiNoZa steps up next: Lovers all!

_______the resurrection is coming coming & ever arriving with the rails of a ,

_______ Jesus speaks No Hegel nor your filly followers are fish, but fishy as they come,

             I Jesus abou Ben Adam,    walk on the water!

_________ the resurrection was not dialectical,
friends,

_____

.. Remarkable Hegelian Reactionarianism...

____

___

.. Remarkable Hegelian Reactionarianism...

_______________________________

.. Remarkable ..                            Remarkable Hegelian Reactionarianism... H egelian Reactionaria...

m//arkable Hegelian Reactionarianism...

                   .. Rele Helian Reactionarianism...

.    . Remarkable Hegean Reacarianism...

_________________________________________________

the endless slew of HegelianISm the easy path to choose, much harder to go elsewhere

However as Sartre once said, the dominant ideas of a period are those of the ruling class,

so can one infer that Zizek's ideas, maybe even his voice, is a 'resurgent' return of the repressed ,

by way of , the leading Hegelian represents a perverse form of the ruling class?

No, one cannot and one can say this,

ONe can say it and one can one did,

it ends as a comma a t a ledge resu,ming again where thought does,

always at a n edger ,

_________

6.06.2018

DELEUZE ET GUATTARI – Les Vendredis de la philosophie [2007]

4.15.2018

.. 'Walking through a Thousand ...Plateaus ..'

_____

CP you found these very lately, CD yes in the scaffoldings things get found at all kinds of time! some
times before &
some after! aftering an beforing along the strata and building blocks of tomorrow i am you and you are me ~

_____________________
'A walk through a Thousand Plateaus' (2012) was made in homage to Peter Greenaway's film 'A walk
through H: the Reincarnation of an Ornithologist' (1978).

The film is a collaborative work by Margaret Walker and Patch Sinclair, co-written by spoken word

poet Liv in(the)finite, with original score by Ashley Blackmore.

It first screened as part of Patch & Margie's exhibition 'or the skeleton of a windmill' @ Chrissie

Cotter Gallery (OCT 2012). It recently screened at 'Drop Block Party: Word Travels' @ The Rocks (DEC 2012).

Margaret Walker - http://stampingthewater.wordpress.com/

Liv in(the)finite - http://inthefinite.wordpress.com/

Ashley Blackmore - http://ashley.blackmo.re/

______________

3.22.2018

.. the knight... Kierke.... g a a r de of infinite faith

that lonesome knight denounced the paltriness of the dialectic
that other K also denounced it

from his mountain crag

as did the hunchback of Copenhagen

Avaunt! away with your filthy three part feces antifecesi and higher faeces!~

as for spelling we have no time ! we are the forest ending orthography! and its pens fulsome as the fat wind blowing

out of Hegels teuton arse!

______________________________ faeces is much to close to the word fasces for our reckoning.

_______________________

11.28.2017

'the

_____

'the disappearance of Felix Guattari '

_______

9.27.2017

Deleuze in China

____________________

Now

when did lecturing

by Deleuze

begin in China?

this is new, novel, bold,brassy, unbearably beautiful

the g

Deleuze

in China

while Mao was still pal?

While Mao was still palwow?

the

great

Zen

Z
Z

ZZ

ZZZZ

ZZZZZ

ZZZZZ

ZZZZ
ZZZZ

ZZZZ

ZZZeeeeeeeeeeeeeeeennnn

Master

Zut

Creatiozzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzz

zzzzzzzzzzzzzz

zzzzzzzzzzzzzzz

9.26.2017

'Deleuze et la littérature (1/4) : Sous les signes de Proust ... Lelelivre dedeDeleuze....

_________________________________________

Il y a un e Jubilation ... a la creation des Concepts....

Rien ne veut rien dire

Published on 20 May 2017

AGNIE DU PHILOSOPHE ET PROUSTIEN JACQUES DARRIULAT

CETTE LECTURE PHILOSOPHIQUE DU CHEF-D'ŒUVRE DE PROUST À LA RECHERCHE DU TEMPS PERDU. "CE QUI FORCE À PENSER, C'EST

LE SIGNE", ÉCRI

T DELEUZE DANS SON ESSAI DE 1964 "PROUST ET LES SIGNES". LA RECHERCHE DU TEMPS PERDU SERAIT ALORS NON PAS LE LIVRE DE LA MÉMOIRE, MAIS UN ROMAN D'APPRENTISSAGE - APPRENTISSAGE DU DÉCHIFFREMENT DES SIGNES QUI Y PROLIFÈRENT, DES SIGNES VIDES DE LA MONDANITÉ AUX SIGNES DE L'ART QUI NOUS METTENT FACE AUX ESSENCES. LE TEXTE DU JOUR : « CE QUI FORCE À PENSER, C’EST LE SIGNE. LE igne est l’objet d’une rencontre ; mais c’est précisément la contingence de la

rencontre qui garantit la nécessité de ce qu’elle donne à penser. L’acte de penser ne découle pas d’une simple possibilité naturelle. Il est, au contraire, la seule création véritable. La création, c’est la genèse de l’acte de penser dans la pensée elle-même. Or cette genèse implique quelque chose qui fait violence à la pensée, qui l’arrache à sa stupeur naturelle, à ses possibilités seulement abstraites. Pens

Proust Lectures : - Marcel Proust, A la recherche du temps perdu, Gallimard, coll. La Pléiade, (ed. de Jean-Yves Tadié, 1988), tome 1, Du côté de chez Swann, pp. 138-140. Lu par André Dussolier, ed. Thélème - Marcel Proust, A la recherche du temps perdu, Gallimard, coll. La Pléiade, (ed. de Jean-Yves Tadié, 1988), tome 1, Du côté de chez Swann, pp.177-180. Lu par André Dussolier, ed. Thélème - Marcel Proust, A la recherche du temps perdu, Gallimard, coll. La Pléiade, (ed. de Jean-Yves Tadié, 1988), tome 3, La Prisonnière, pp.692-693. Lu par André Dussolier, ed. Thélème Références musicales : - César Franck, Sonate en La maj - Guillaume Lekeu, Sonate en Sol maj - Anton Dvorak, Sextuor à cordes - Régine, Rattrapons le temps perdu Intervenant : - Jacques Darriulat : a enseigné la philosophie de l’art à l’université Paris-Sorbonne, il est l’auteur d’un site consacré à la philosophie : www.jdarriulat.net

9.14.2017

ask yourself twice

_________________

Now ask yourself twice did I really think what I thought I did, did I really pursue a new thought bending around some corner where the twice felled gods a(rose) and clambered past the mighty sheets of time and

self conceit not deceiving yourself into a generational arrogance what believes believing its own shit? its own wit,

its own bellicose drama

not an idea, at all in that instance,

but a namby pamby crybaby repetition of the same and copying someone else's ideas.

Not idears, or ideas, but Id eas what's that Id eas?

Plato stared at the cave long, and enough was past time it's reckoned second soup. Like Christ dying on the cross

right to the teeth his bones dying and crying out,

Lama Lama

and was Christ jesus the gesso goat? the pain of 5000 years of civilization dormant forgiving and reconciling itself,

Christ first messiah of the sun and the resurrection of all matter across the universe

not Jesus the certain identity of a person

but Christ, the Christ the Sign of a new Burst burned in the sun of Future Matter

and Metaphysical

across over the radiant hours of life of death of birth,

and forever going on

Incomprehensible future

forged in the anthropology of human life and destiny, as it was, this man of the future .

Eternal ripped in the becomings of forever

~

_AnD__as_for_

As for the method of deconstruction of texts I see clearly what it is, I admire it a lot, but it has nothing to do with my own method. I do not present myself as a commentator on texts.

For me, a text is merely a small cog in an extra-textual practice. It is not a question of commenting on the text by a method of deconstruction, or by a method of textual practice, or by other methods; it is a question of what use it has in an extra-textual practice that prolongs the text ..

Professor D Challanger speaking

in Clinical Critical terms as the hat was in the wind

How else?

How else can one write of those things which one doesn't know, or knows badly? It is precisely here that we imagine having something to say. We write only at the frontiers of our knowledge, at the border which separates our knowledge from our ignorance and transforms the one to the other.
Only in this manner are we resolved to write. To satisfy ignorance is to put off writing until tomorrow -or rather, to make it impossible. Perhaps writing was a relation to silence altogether more threatening that that, which is supposed to entertain with death.
_______________________

Difference and Repetition.

__________AnD What I most detested was Hegelianism and dialectics.

_____

__________AnD

What I most detested was Hegelianism and dialectics.

And : The question of speed is important and also very complex. It doesn't mean the first in the race: you can be late through speed. Speed is to be caught in a becoming_ which is not a development or an evolution. One must be like a taxi, queue(ligne d'attente), line of flight, traffic jam, bottleneck, green and red lights, slightly paranoid,brushes with the police. To be an abstract and broken line, a zigzag which glides 'between'. The grass and speed. What you misnamed style just now_ charm or style_ is speed.

And :One only discovers worlds through a long, broken flight.

Le but, ce n’est pas de répondre à des questions, c’est de sortir, c’est d’en sortir.

G. VELTSOS: En ce sens-là vous êtes ami avec Deleuze parce que vous créez ensemble un monde ?

F. G. : C’est ça. Mais comme je le disais dans une interview, je suis ami avec Deleuze mais je ne suis pas copain. Je ne sais pas comment l’on pourrait traduire ça. Parce que, par exemple, avec Deleuze on s’est toujours vouvoyé, on a toujours gardé une grande proximité et une grande distance amicale. Comme si l’on en avait besoin, précisément, pour maintenir la consistance de notre tapisserie commune. (...)