Radio DelEuZe: Riccardo III (Carmelo Bene

10.1.25

Riccardo III (Carmelo Bene - 1981) eng-fr sub

thank you to you tuber Dagomir Rotyork (cited below in full ) for making this work of

Carmelo Bene available again.

Twenty years or so back when the internet was wilder , more open Bene's work was there for all to see.

In Times square in Picadilly to quote William Burroughs ....

It's not the case as often these days. Deleuze wrote a number of essays and almost manifetos

about Bene's work. There are numerous references to them in thee web

one old blog https://carmelobene.blogspot.com/ at one point had nearly all the film versions of it posted however it looks tattered these days

<'14 Oct 2022 Riccardo III is a theatre play staged in 1977 and also edited for television and aired in 1981, which Carmelo Bene dedicated to his friend Gilles Deleuze, who wrote a book about it before even seeing it. Bene strips down the original shakesperian play to the core, rejecting plot and characters, leaving on stage only Riccardo III and his ghosts, the female characters. The TV version is characterized by an exstensive use of close-ups and strong light contrast. English subtitles by quidtum (KG), thank you! French subtitles by myself Scenes: Carmelo Bene Costumes: Carmelo Bene Director of Photography: G. Abballe RVM editing: S. Spini Music: L. Zito Actors: Carmelo Bene, L. Mancinelli, M. G. Grassini, D. Silverio, S. Javicoli, L. Morante, L. Dotti Director Assistant: A.M. Angeli/'

One Hamlet less ..

the method is subtraction

One less to make a multiple possible

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__________AnD What I most detested was Hegelianism and dialectics.

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__________AnD

What I most detested was Hegelianism and dialectics.

And : The question of speed is important and also very complex. It doesn't mean the first in the race: you can be late through speed. Speed is to be caught in a becoming_ which is not a development or an evolution. One must be like a taxi, queue(ligne d'attente), line of flight, traffic jam, bottleneck, green and red lights, slightly paranoid,brushes with the police. To be an abstract and broken line, a zigzag which glides 'between'. The grass and speed. What you misnamed style just now_ charm or style_ is speed.

And :One only discovers worlds through a long, broken flight.

_AnD______as_______for___

As for the method of deconstruction of texts I see clearly what it is, I admire it a lot, but it has nothing to do with my own method. I do not present myself as a commentator on texts.

For me, a text is merely a small cog in an extra-textual practice. It is not a question of commenting on the text by a method of deconstruction, or by a method of textual practice, or by other methods; it is a question of what use it has in an extra-textual practice that prolongs the text ..

Professor D Challanger speaking

in Clinical Critical terms as the hat was in the wind

How else?

How else can one write of those things which one doesn't know, or knows badly? It is precisely here that we imagine having something to say. We write only at the frontiers of our knowledge, at the border which separates our knowledge from our ignorance and transforms the one to the other.
Only in this manner are we resolved to write. To satisfy ignorance is to put off writing until tomorrow -or rather, to make it impossible. Perhaps writing was a relation to silence altogether more threatening that that, which is supposed to entertain with death.
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Difference and Repetition.