Radio DelEuZe: Les postérités de MerLeau PonTy

12.6.08

Les postérités de MerLeau PonTy

Mona Monkey Mona money hears about the Ponty Ponty Ponty the Mer L'eau Pont
on the Pont PontPontPont of Le pont

Par François Noudelmann
Réalisation: Clotilde Pivin

Il y a encore une vingtaine d'années Merleau-Ponty restait un auteur peu considéré dans l'histoire de la philosophie. Souffrant d'une moindre actualité de la phénoménologie, ses œuvres, comme celles de Sartre et de Levinas, n'étaient étudiées que par des spécialistes. Heureusement, une meilleure connaissance de son parcours philosophique a permis de briser son enfermement scolaire.
Le centenaire de sa naissance est l'occasion de renouer avec un philosophe dont les réflexions sur le corps, le vivant, le langage ou la peinture sont d'une étonnante singularité. Aujourd'hui la recherche internationale s'intéresse à tous les aspects de cette pensée jamais au repos. Et les postérités de Merleau-Ponty se découvrent aussi bien dans l'art que la science ou la politique.

	Invités

Renaud Barbaras. Professeur à l'université de Paris 1

Claude Imbert. Professeure émérite à l'Ecole normale supérieure

Vincent Peillon. Député européen

Emmanuel de Saint-Aubert. Chercheur au CNRS

of philosopHee PhLOSoFee

She go in and out of radiofrancE cuLture like smoked b acOn leading ham darling chews, tenderlions loins and other juicy savory b its of the body politic

France Culture

__________AnD What I most detested was Hegelianism and dialectics.

_____

__________AnD

What I most detested was Hegelianism and dialectics.

And : The question of speed is important and also very complex. It doesn't mean the first in the race: you can be late through speed. Speed is to be caught in a becoming_ which is not a development or an evolution. One must be like a taxi, queue(ligne d'attente), line of flight, traffic jam, bottleneck, green and red lights, slightly paranoid,brushes with the police. To be an abstract and broken line, a zigzag which glides 'between'. The grass and speed. What you misnamed style just now_ charm or style_ is speed.

And :One only discovers worlds through a long, broken flight.

_AnD______as_______for___

As for the method of deconstruction of texts I see clearly what it is, I admire it a lot, but it has nothing to do with my own method. I do not present myself as a commentator on texts.

For me, a text is merely a small cog in an extra-textual practice. It is not a question of commenting on the text by a method of deconstruction, or by a method of textual practice, or by other methods; it is a question of what use it has in an extra-textual practice that prolongs the text ..

Professor D Challanger speaking

in Clinical Critical terms as the hat was in the wind

How else?

How else can one write of those things which one doesn't know, or knows badly? It is precisely here that we imagine having something to say. We write only at the frontiers of our knowledge, at the border which separates our knowledge from our ignorance and transforms the one to the other.
Only in this manner are we resolved to write. To satisfy ignorance is to put off writing until tomorrow -or rather, to make it impossible. Perhaps writing was a relation to silence altogether more threatening that that, which is supposed to entertain with death.
_______________________

Difference and Repetition.