Radio DelEuZe: Mnémotechnique du Cliché 2 so then

28.1.09

Mnémotechnique du Cliché 2 so then

for some strange reason that video from the previous posting... was deleted from daily motion. and thus from the blog... i cannot find the person who put it up there either. his or her account has vanished into the thin! air like these our actors as I have foresaid.

in lieu of that (until I found out, if ever, what became of the video that has now disappeared) I am adding this video of Richard Pinhas, musician and friend of our Dear Doctor Professor Challenger.

Richard Pinhas est un musicien, compositeur et guitariste. Pionnier des musiques électroniques en France, il créé le groupe Heldon en 1974.
Ami du philosophe Gilles Deleuze, il est à l'origine du site internet webdeleuze.com (http://www.webdeleuze.com/php/index.html). Le site, devenu une référence concernant la pensée du philosophe, donne accès à des retranscriptions de cours de Deleuze.
La dernière production de Richard Pinhas, Keio Line, sortie en octobre 2008 (Cuneiform)est une collaboration avec le musicien japonais de noise, Merzbow.

Richard Pinhas, musicien - Interview Magnetic Room
Uploaded by magnetic_room

His smile and laugh like his music is disarming. One might say, his smile is Deleuzian and his speech Guattarian and his music Pinhasian. Alors, il faut etre un devenir des choses....

__________AnD What I most detested was Hegelianism and dialectics.

_____

__________AnD

What I most detested was Hegelianism and dialectics.

And : The question of speed is important and also very complex. It doesn't mean the first in the race: you can be late through speed. Speed is to be caught in a becoming_ which is not a development or an evolution. One must be like a taxi, queue(ligne d'attente), line of flight, traffic jam, bottleneck, green and red lights, slightly paranoid,brushes with the police. To be an abstract and broken line, a zigzag which glides 'between'. The grass and speed. What you misnamed style just now_ charm or style_ is speed.

And :One only discovers worlds through a long, broken flight.

_AnD______as_______for___

As for the method of deconstruction of texts I see clearly what it is, I admire it a lot, but it has nothing to do with my own method. I do not present myself as a commentator on texts.

For me, a text is merely a small cog in an extra-textual practice. It is not a question of commenting on the text by a method of deconstruction, or by a method of textual practice, or by other methods; it is a question of what use it has in an extra-textual practice that prolongs the text ..

Professor D Challanger speaking

in Clinical Critical terms as the hat was in the wind

How else?

How else can one write of those things which one doesn't know, or knows badly? It is precisely here that we imagine having something to say. We write only at the frontiers of our knowledge, at the border which separates our knowledge from our ignorance and transforms the one to the other.
Only in this manner are we resolved to write. To satisfy ignorance is to put off writing until tomorrow -or rather, to make it impossible. Perhaps writing was a relation to silence altogether more threatening that that, which is supposed to entertain with death.
_______________________

Difference and Repetition.