Radio DelEuZe: a forgotten work

12.3.09

a forgotten work

Van Gogh’s Ear II - The Last Words of Dutch Schultz-- a forgotten character _ forgone to wind machine gun....// blip of sun//. cut--ision. visit to this. where to shame. cause t' effect follow it :

"Palace Chop House. 12 East Park Street, Newark. 1935. A pair of hitmen from Murder Inc enter and force the bartender onto the floor at gunpoint. At the back of the restaurant, they approach and open fire on three seated men talking shop, two of whom, despite being hit, draw their revolvers. In the ensuing firefight, one of the assassins dives into the toilets and comes face to face with the Jewish mobster Dutch Schultz occupied at the urinal. Before Schultz can pull out his flick-knife, a shot rings out, narrowly missing him and shattering the wall-tiles. The second catches him in the chest, the .45 bullet ricocheting internally off his bones and through nearly every internal organ in his stomach. His assailant turns and flees with his partner into a waiting getaway car."
By Darran Anderson.

more of that here 3 AM mag

Every getaway is an escape. On the lam. Beat it, scram, on the fly. Get a light foot, head for the hills. Shake a leg.

more blinding
alleys
over the pistil

balk at nuttin' fictives 4fore

karl marx wrote i got no little time for short books

__________AnD What I most detested was Hegelianism and dialectics.

_____

__________AnD

What I most detested was Hegelianism and dialectics.

And : The question of speed is important and also very complex. It doesn't mean the first in the race: you can be late through speed. Speed is to be caught in a becoming_ which is not a development or an evolution. One must be like a taxi, queue(ligne d'attente), line of flight, traffic jam, bottleneck, green and red lights, slightly paranoid,brushes with the police. To be an abstract and broken line, a zigzag which glides 'between'. The grass and speed. What you misnamed style just now_ charm or style_ is speed.

And :One only discovers worlds through a long, broken flight.

_AnD______as_______for___

As for the method of deconstruction of texts I see clearly what it is, I admire it a lot, but it has nothing to do with my own method. I do not present myself as a commentator on texts.

For me, a text is merely a small cog in an extra-textual practice. It is not a question of commenting on the text by a method of deconstruction, or by a method of textual practice, or by other methods; it is a question of what use it has in an extra-textual practice that prolongs the text ..

Professor D Challanger speaking

in Clinical Critical terms as the hat was in the wind

How else?

How else can one write of those things which one doesn't know, or knows badly? It is precisely here that we imagine having something to say. We write only at the frontiers of our knowledge, at the border which separates our knowledge from our ignorance and transforms the one to the other.
Only in this manner are we resolved to write. To satisfy ignorance is to put off writing until tomorrow -or rather, to make it impossible. Perhaps writing was a relation to silence altogether more threatening that that, which is supposed to entertain with death.
_______________________

Difference and Repetition.