Radio DelEuZe: bl e aet vt e i nr g

12.8.09

bl e aet vt e i nr g

leavetter

betterbettterbetterbetterbetterbetobetobetBetter to be a tin

molar converter, oscillator, or distributor!

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-- G.Deleuze and/or F.Guattari

A Tho

usand Pla

teaus (p.226) in

g

They are nomads by dint of not moving, not migrating, of holding a smooth space that they refuse to leave, that they leave only in order to conquer and die.

_______________________
-- G.Del

euze and

/or F.

Gua

ttari
A

Thousand Plate

aus (p.482)

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. . . “the only acceptable end purpose of human activities,” wrote Felix in the air of Guattari, “is the production of a subjectivity that is forever self-enriching its relationship with the world .....

A definition that ideally applies to the practices of contemporary artists: by creating and staging devices of existence including working

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Wee FootNote:

Deleuze and Guattari said in a wee footFeleuze and cuattari said in a wee footnoteeleuze anuatri said in a wee footnote::
thisishihisisthismichelline? tire of working girl

13. On courtly love, and its radical immanence rejecting both religious transcendence and hedonist exteriority, see Rene Nelli, L'erotique des troubadours (Paris: Union Generate d'Editions, 1974), in particular, vol. 1, pp. 267, 316,358, and 370, and vol. 2, pp. 47, 53, and 75. (Also vol. l, p. 128: one of the major differences between chivalric love and courtly love is that for "knights the valor by which one merits love is always external to love," whereas in the system of courtly love, the test is essentially internal to love; war valor is replaced by "sentimental heroism." This is a mutation in the war machine .)

Poetry is a way of life.

Make yer own bloody body without organs.
We are difference engineers, ok?
And So we sang, of Love hit or missed. Us gallant schizo knights of infinite leave , our faith trotting the stalwart rider of the moon, and the sybilline s`s.

all my words are on parole.

U mean Patrol right?..

__________AnD What I most detested was Hegelianism and dialectics.

_____

__________AnD

What I most detested was Hegelianism and dialectics.

And : The question of speed is important and also very complex. It doesn't mean the first in the race: you can be late through speed. Speed is to be caught in a becoming_ which is not a development or an evolution. One must be like a taxi, queue(ligne d'attente), line of flight, traffic jam, bottleneck, green and red lights, slightly paranoid,brushes with the police. To be an abstract and broken line, a zigzag which glides 'between'. The grass and speed. What you misnamed style just now_ charm or style_ is speed.

And :One only discovers worlds through a long, broken flight.

_AnD______as_______for___

As for the method of deconstruction of texts I see clearly what it is, I admire it a lot, but it has nothing to do with my own method. I do not present myself as a commentator on texts.

For me, a text is merely a small cog in an extra-textual practice. It is not a question of commenting on the text by a method of deconstruction, or by a method of textual practice, or by other methods; it is a question of what use it has in an extra-textual practice that prolongs the text ..

Professor D Challanger speaking

in Clinical Critical terms as the hat was in the wind

How else?

How else can one write of those things which one doesn't know, or knows badly? It is precisely here that we imagine having something to say. We write only at the frontiers of our knowledge, at the border which separates our knowledge from our ignorance and transforms the one to the other.
Only in this manner are we resolved to write. To satisfy ignorance is to put off writing until tomorrow -or rather, to make it impossible. Perhaps writing was a relation to silence altogether more threatening that that, which is supposed to entertain with death.
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Difference and Repetition.