going to the movies with corry shoreS...s et prof deleuze ici

______________________This way for the Movies _ Kids! Hurry Up Come on Now the show is Starting!

going to the movies with corryS...s et prof CinEmatic ~deleuze is

(chez

DELEUZE CINEMA PROJECT 1)

the place

you head

Friday cinema

at the dark

bed of the bigger

bed

at the

Movie House

et voila

allez vous même

Voice of Poison

Frank Capra

Arsenic and Old Lace

(t there always

You ~

you want tobe

poisoned

you want to be

murdererd!

here

and

so we

see to learn

our wicked leçon

de cette semaine

_________________________

__________AnD What I most detested was Hegelianism and dialectics.

_____

__________AnD

What I most detested was Hegelianism and dialectics.

And : The question of speed is important and also very complex. It doesn't mean the first in the race: you can be late through speed. Speed is to be caught in a becoming_ which is not a development or an evolution. One must be like a taxi, queue(ligne d'attente), line of flight, traffic jam, bottleneck, green and red lights, slightly paranoid,brushes with the police. To be an abstract and broken line, a zigzag which glides 'between'. The grass and speed. What you misnamed style just now_ charm or style_ is speed.

And :One only discovers worlds through a long, broken flight.

_AnD______as_______for___

As for the method of deconstruction of texts I see clearly what it is, I admire it a lot, but it has nothing to do with my own method. I do not present myself as a commentator on texts.

For me, a text is merely a small cog in an extra-textual practice. It is not a question of commenting on the text by a method of deconstruction, or by a method of textual practice, or by other methods; it is a question of what use it has in an extra-textual practice that prolongs the text ..

Professor D Challanger speaking

in Clinical Critical terms as the hat was in the wind

How else?

How else can one write of those things which one doesn't know, or knows badly? It is precisely here that we imagine having something to say. We write only at the frontiers of our knowledge, at the border which separates our knowledge from our ignorance and transforms the one to the other.
Only in this manner are we resolved to write. To satisfy ignorance is to put off writing until tomorrow -or rather, to make it impossible. Perhaps writing was a relation to silence altogether more threatening that that, which is supposed to entertain with death.
_______________________

Difference and Repetition.

Radio DelEuZe

30.10.09

going to the movies with corry shoreS...s et prof deleuze ici

DELEUZE CINEMA PROJECT 1)

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