Radio DelEuZe: 'Agencement' thy 'assemblage'

30.11.10

'Agencement' thy 'assemblage'

~~Old and New and~~

Mister Alliez doesn't like Assemblage he doesn't like Line of Flight He don't dig translated

yet it's a bit late in arrving and he dont like this and groan

and he dont

and guess what? We don't much like his scarf look, it's abit old fashioned, non?
and that reference to Middle Sex being ' a bit heavy' sounds rather removed and even perhaps in an old fashioned way, snobby , maybe he ought to have explained that ,,

especially considering half the world came to the aid of the "research" department's closure, maybe explaing that along with his diagrammatic would have added something to his
talk and the context

of his work

and unlike our teacher Professor Challenger Deleuze his voice

his voice

dont pull us in in the sympathetic love of the subject he discusses

Aaieeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeehh~! no matter we like Eric and the work he does ~

Agencement to you is Assemblage to me

I gotta use words when I talk to you

I gotta Assemble my "AgEnCy" when I assemble with you with you

I gotta agence mon Assemblage ~

Eric Alliez: Diagrammatic Regime versus Aesthetic Regime of Contemporary Art: The Case of Ernesto Neto from IKKM on Vimeo.

Aufzeichnung der IKKM Lecture vom 19. Mai 2010

______________
Now you see Assemble

in Anglais

tilts the Agencement

with its

nuance

of machine

breakage

Agence en francais

ya know

has a

hint

of the intention

of the Agency

of la personne

and that leavs

room to bother

leavs

room

bother

Cause the next

thing

is Agence your Praxis

Praxis your pluperfect

Praxis your Assemblage

Deleuze thy words

are birds

of a feather

that

don't

flock

don't

flock

together

your words

disjunct

to the agencement

of the minute

each

barbaric

thrust

a heave into the unseen territory

of its reference

its refinishing incompleting

immanence of language

desire

_______________________

__________AnD What I most detested was Hegelianism and dialectics.

_____

__________AnD

What I most detested was Hegelianism and dialectics.

And : The question of speed is important and also very complex. It doesn't mean the first in the race: you can be late through speed. Speed is to be caught in a becoming_ which is not a development or an evolution. One must be like a taxi, queue(ligne d'attente), line of flight, traffic jam, bottleneck, green and red lights, slightly paranoid,brushes with the police. To be an abstract and broken line, a zigzag which glides 'between'. The grass and speed. What you misnamed style just now_ charm or style_ is speed.

And :One only discovers worlds through a long, broken flight.

_AnD______as_______for___

As for the method of deconstruction of texts I see clearly what it is, I admire it a lot, but it has nothing to do with my own method. I do not present myself as a commentator on texts.

For me, a text is merely a small cog in an extra-textual practice. It is not a question of commenting on the text by a method of deconstruction, or by a method of textual practice, or by other methods; it is a question of what use it has in an extra-textual practice that prolongs the text ..

Professor D Challanger speaking

in Clinical Critical terms as the hat was in the wind

How else?

How else can one write of those things which one doesn't know, or knows badly? It is precisely here that we imagine having something to say. We write only at the frontiers of our knowledge, at the border which separates our knowledge from our ignorance and transforms the one to the other.
Only in this manner are we resolved to write. To satisfy ignorance is to put off writing until tomorrow -or rather, to make it impossible. Perhaps writing was a relation to silence altogether more threatening that that, which is supposed to entertain with death.
_______________________

Difference and Repetition.