Radio DelEuZe: Wolf and

11.11.10

Wolf and

Call for the robin redbreast and the wren,
Since o'er shady groves they hover,
And with leaves and flowers do cover
The friendless bodies of unburied men.
- Act V, scene iv.

But keep the wolf far thence, that's foe to men,
For with his nails he'll dig them up again.
- The White Devil John Webster ___Act V, scene iv.

Woman to man is either a god or a wolf __ John Webster
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15. Laws for Creations _ Whitman

LAWS for Creations,
For strong artists and leaders—for fresh broods of teachers, and perfect literats for America,
For noble savans, and coming musicians.

All must have reference to the ensemble of the world, and the compact truth of the world;
There shall be no subject too pronounced—All works shall illustrate the divine law ofindirections.	5

What do you suppose Creation is?
What do you suppose will satisfy the Soul, except to walk free, and own no superior?
What do you suppose I would intimate to you in a hundred ways, but that man or woman is as good as God?
And that there is no God any more divine than Yourself?
And that that is what the oldest and newest myths finally mean?
And that you or any one must approach Creations through such laws?

Fool:

He's mad that trusts in the tameness of a wolf, a horse's health,

a boy's love, or a whore's oath.

King Lear (III, vi, 19-21)

First Murderer: We are men, my liege.

Macbeth: Ay, in the catalogue ye go for men,

As hounds and greyhounds, mongrels, spaniels, curs,

Shoughs, water-rugs, and demi-wolves are clipt

All by the name of dogs.

Macbeth, 3.1

She-wolf of France, but worse than wolves of France...

Women are soft, mild, pitiful, and flexible;

Thou stern, obdurate, flinty, rough, remorseless.

Henry VI, Part III, 1.4.111, 141-2.

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__________AnD What I most detested was Hegelianism and dialectics.

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__________AnD

What I most detested was Hegelianism and dialectics.

And : The question of speed is important and also very complex. It doesn't mean the first in the race: you can be late through speed. Speed is to be caught in a becoming_ which is not a development or an evolution. One must be like a taxi, queue(ligne d'attente), line of flight, traffic jam, bottleneck, green and red lights, slightly paranoid,brushes with the police. To be an abstract and broken line, a zigzag which glides 'between'. The grass and speed. What you misnamed style just now_ charm or style_ is speed.

And :One only discovers worlds through a long, broken flight.

_AnD______as_______for___

As for the method of deconstruction of texts I see clearly what it is, I admire it a lot, but it has nothing to do with my own method. I do not present myself as a commentator on texts.

For me, a text is merely a small cog in an extra-textual practice. It is not a question of commenting on the text by a method of deconstruction, or by a method of textual practice, or by other methods; it is a question of what use it has in an extra-textual practice that prolongs the text ..

Professor D Challanger speaking

in Clinical Critical terms as the hat was in the wind

How else?

How else can one write of those things which one doesn't know, or knows badly? It is precisely here that we imagine having something to say. We write only at the frontiers of our knowledge, at the border which separates our knowledge from our ignorance and transforms the one to the other.
Only in this manner are we resolved to write. To satisfy ignorance is to put off writing until tomorrow -or rather, to make it impossible. Perhaps writing was a relation to silence altogether more threatening that that, which is supposed to entertain with death.
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Difference and Repetition.