Radio DelEuZe: On the shores and shelves

28.4.11

On the shores and shelves

Dada duffy wrote about the Shores of Dada Phenomena fenomena ~

'at Pirates

Corry Shores has written a long and detailed text

which gets to the several hearts of the matters about dada machinery and the delinking and non associative connections of the whole and part the part whole

of dada its .

its there to here its over there and the wealth of illustration to its action acting

it's by far the most detailed energetic informed reading that I have come across. by far recent. recent informed far detailed ... as as as da As a dada tailor I'd say I Corry Shores' cutting the cloth
perfectly cut perfectly cloth

as cloth to juxtaposted as
coinage to reaching i n
disassociative dancer danger

as Chants de ________________________________

word coinage thought connecting cohere incohere

its the most detailed
as broken pieces fit the juxtaposition of the ~ juxtaposed

posed to broke pieces/ morsel/fit as ragged edge

as Schwitters collaGed

Here are some of the questions he asks us to consider :

he ask us
we consider

we consider
to ask

'What do Dadaist machinical (check out the new coinage)

phenomena got to do with you?

What means the most to us in our lives are the things that really stand-out.

We might carry them to our grave, even after so much is forgotten in our later aging; what still stands-out the most in our minds and memories will continue to have their affect on us.

Should we not care, then, about what makes something stand-out?'

___________And we do(care) and Shores goes further to answer stating:

_______________ So we at radio radio

at radio radio

we at radio radio

at the radio

at the radio

listen

heard

--------------------------

__________AnD What I most detested was Hegelianism and dialectics.

_____

__________AnD

What I most detested was Hegelianism and dialectics.

And : The question of speed is important and also very complex. It doesn't mean the first in the race: you can be late through speed. Speed is to be caught in a becoming_ which is not a development or an evolution. One must be like a taxi, queue(ligne d'attente), line of flight, traffic jam, bottleneck, green and red lights, slightly paranoid,brushes with the police. To be an abstract and broken line, a zigzag which glides 'between'. The grass and speed. What you misnamed style just now_ charm or style_ is speed.

And :One only discovers worlds through a long, broken flight.

_AnD______as_______for___

As for the method of deconstruction of texts I see clearly what it is, I admire it a lot, but it has nothing to do with my own method. I do not present myself as a commentator on texts.

For me, a text is merely a small cog in an extra-textual practice. It is not a question of commenting on the text by a method of deconstruction, or by a method of textual practice, or by other methods; it is a question of what use it has in an extra-textual practice that prolongs the text ..

Professor D Challanger speaking

in Clinical Critical terms as the hat was in the wind

How else?

How else can one write of those things which one doesn't know, or knows badly? It is precisely here that we imagine having something to say. We write only at the frontiers of our knowledge, at the border which separates our knowledge from our ignorance and transforms the one to the other.
Only in this manner are we resolved to write. To satisfy ignorance is to put off writing until tomorrow -or rather, to make it impossible. Perhaps writing was a relation to silence altogether more threatening that that, which is supposed to entertain with death.
_______________________

Difference and Repetition.