Radio DelEuZe: radars fence zzzzzz oedipal cops watch listen look

1.3.08

radars fence zzzzzz oedipal cops watch listen look

listen to your radio/as yer eyeball earball resting watched monitored. toed. watched. mister .

'Radars and fences, satellites and walls, networks and bunkers. Two
different sets of technologies confront us: the former epitomize the
selective and flexible character of what Gilles Deleuze termed the
“societies of control”; the latter embody the “old” disciplinary
paradigm based on separation, physical mass containment, and restriction
of the freedom of move
coexist ad reinforce each other; sometimes they seem to collide. This isment. Most of the times control and discipline
due to a variety of far-reaching factors and transformations occurring
in the productive sphere.

As a matter of fact, it is the very structure of the network society,
with its decentralization of tasks and constant multiplication of
electronic eyes that threatens the opacity of physical and immaterial
bunkers. By looking at the grey areas where control and discipline,
transparency and secrecy, democracy and the state of exception overlap
and collide, Radars and Fences provide a cross-disciplinary platform
whereby researcherstists, journalists, film...'

Yea yea yea
Here it is the smooth surveillance of nomadic state embodied now in overlord watch rule. phonecardcoffeecard.
yea, flindyer fold of flingout of this ship of shopped.yer body's mother harbinger tod eelight ~ along the Mississippi along St. Laurent ~~

__________AnD What I most detested was Hegelianism and dialectics.

_____

__________AnD

What I most detested was Hegelianism and dialectics.

And : The question of speed is important and also very complex. It doesn't mean the first in the race: you can be late through speed. Speed is to be caught in a becoming_ which is not a development or an evolution. One must be like a taxi, queue(ligne d'attente), line of flight, traffic jam, bottleneck, green and red lights, slightly paranoid,brushes with the police. To be an abstract and broken line, a zigzag which glides 'between'. The grass and speed. What you misnamed style just now_ charm or style_ is speed.

And :One only discovers worlds through a long, broken flight.

_AnD______as_______for___

As for the method of deconstruction of texts I see clearly what it is, I admire it a lot, but it has nothing to do with my own method. I do not present myself as a commentator on texts.

For me, a text is merely a small cog in an extra-textual practice. It is not a question of commenting on the text by a method of deconstruction, or by a method of textual practice, or by other methods; it is a question of what use it has in an extra-textual practice that prolongs the text ..

Professor D Challanger speaking

in Clinical Critical terms as the hat was in the wind

How else?

How else can one write of those things which one doesn't know, or knows badly? It is precisely here that we imagine having something to say. We write only at the frontiers of our knowledge, at the border which separates our knowledge from our ignorance and transforms the one to the other.
Only in this manner are we resolved to write. To satisfy ignorance is to put off writing until tomorrow -or rather, to make it impossible. Perhaps writing was a relation to silence altogether more threatening that that, which is supposed to entertain with death.
_______________________

Difference and Repetition.