Radio DelEuZe: take the

27.7.09

take the

______________Take the back

the back
a painting by Renoir

take this back
which is half back

and half woman

(cut the picture down
the line of the middle _her body escapes)

(or the face moves off) (the midriff calibrates)

her back is not that of the hypererotic libidinous ones of other painters _ I dont name them they're well known. I'm a savage who names nothing... whose death escapes my grasp. but the back curved as the swan song of Venus Aprodite herself an essence a pure rear ward glance from the sea. this is not death-_ but life's ripe full her on the age. Oh yes, he sweated for that back all her life. her slurp was sweet on the pulp of lovesuck

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the music in a bene film
its nota renoir
its a deathroir. ..how to say. positive . alway. never to the negative. when doe sthes sentimental start? how doe s it curtail the eyes? the dark eyes of the second act bode insanity and utter madness.

listening to- CARMELO BENE Sublime 1

__________AnD What I most detested was Hegelianism and dialectics.

_____

__________AnD

What I most detested was Hegelianism and dialectics.

And : The question of speed is important and also very complex. It doesn't mean the first in the race: you can be late through speed. Speed is to be caught in a becoming_ which is not a development or an evolution. One must be like a taxi, queue(ligne d'attente), line of flight, traffic jam, bottleneck, green and red lights, slightly paranoid,brushes with the police. To be an abstract and broken line, a zigzag which glides 'between'. The grass and speed. What you misnamed style just now_ charm or style_ is speed.

And :One only discovers worlds through a long, broken flight.

_AnD______as_______for___

As for the method of deconstruction of texts I see clearly what it is, I admire it a lot, but it has nothing to do with my own method. I do not present myself as a commentator on texts.

For me, a text is merely a small cog in an extra-textual practice. It is not a question of commenting on the text by a method of deconstruction, or by a method of textual practice, or by other methods; it is a question of what use it has in an extra-textual practice that prolongs the text ..

Professor D Challanger speaking

in Clinical Critical terms as the hat was in the wind

How else?

How else can one write of those things which one doesn't know, or knows badly? It is precisely here that we imagine having something to say. We write only at the frontiers of our knowledge, at the border which separates our knowledge from our ignorance and transforms the one to the other.
Only in this manner are we resolved to write. To satisfy ignorance is to put off writing until tomorrow -or rather, to make it impossible. Perhaps writing was a relation to silence altogether more threatening that that, which is supposed to entertain with death.
_______________________

Difference and Repetition.