Radio DelEuZe: headed

12.12.09

headed

Frame this ticket EuroRail before you leave Amsterdam: _______Heading to P _/
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as as tears tears tear

larme larme larme

laughter laughter

rire rire rire ton rire eh?

yes swing / swing hola as intensities are affections.... so a concept is a person, un concept est un person.... pas dans ta tête .... "Concepts are not in your head : they are things people , zones, regions, thresholds, gradients, temperatures, speeds, etc." " Note 3 to Faces and

Surfaces _ in Desert Islands and Other Texts, - trans. engl en français Gilles Deleuze this old book
____________________L’Ile déserte et autres textes (1953-1974) Édition préparée par David Lapoujade what is the intensité between us so unlikely far apart distant live dites distances des amours ..... c'est quoi toute ca et ça quoi ton cœur je pense et le mienne oh -------------------------------------------- Un avion pour toi

un billet pour toi billet billet billet doux pour vous ~ vous ~ entre nous ~ j'ai pas perdue on est pas perdue billet-doux lettre des levres levre de lettre lève toi

Un avion dans un billet

un billet dans un avion tes fesses~ tes pieds dans mon lit ton lit tes lèvres me l e v r e s dans ta sexe qui a devenue chez moi tes Oui ~ l'avion inside you in side which you your sex 's become my home your inside my home me we
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__________AnD What I most detested was Hegelianism and dialectics.

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__________AnD

What I most detested was Hegelianism and dialectics.

And : The question of speed is important and also very complex. It doesn't mean the first in the race: you can be late through speed. Speed is to be caught in a becoming_ which is not a development or an evolution. One must be like a taxi, queue(ligne d'attente), line of flight, traffic jam, bottleneck, green and red lights, slightly paranoid,brushes with the police. To be an abstract and broken line, a zigzag which glides 'between'. The grass and speed. What you misnamed style just now_ charm or style_ is speed.

And :One only discovers worlds through a long, broken flight.

_AnD______as_______for___

As for the method of deconstruction of texts I see clearly what it is, I admire it a lot, but it has nothing to do with my own method. I do not present myself as a commentator on texts.

For me, a text is merely a small cog in an extra-textual practice. It is not a question of commenting on the text by a method of deconstruction, or by a method of textual practice, or by other methods; it is a question of what use it has in an extra-textual practice that prolongs the text ..

Professor D Challanger speaking

in Clinical Critical terms as the hat was in the wind

How else?

How else can one write of those things which one doesn't know, or knows badly? It is precisely here that we imagine having something to say. We write only at the frontiers of our knowledge, at the border which separates our knowledge from our ignorance and transforms the one to the other.
Only in this manner are we resolved to write. To satisfy ignorance is to put off writing until tomorrow -or rather, to make it impossible. Perhaps writing was a relation to silence altogether more threatening that that, which is supposed to entertain with death.
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Difference and Repetition.