Radio DelEuZe: cP to CD

11.3.10

cP to CD

CP___ Are you suggesting then that all of the blogs constitute cogs and elements in the machine you've constructed?

CD Exactly is what I'd say to that and to say also that the recall the patrol ofthe various things is the machines and their words harried none. Make the verb known word.

Cp Are you paid to do this?
CD _Paid! I pay to do it! that's why I am not a neurotic paying some nutcase analyst! I I pay for free art! _ Viva la dollars avida dollars as Breton said of Salvador.___ O yes the economy of artist an infinite thing and shamed by the capitalist hose: pissing it down. Think of that recent Giacometti or was it a Rembrandt.... that kind of money one can feed a village.. .. shame shame... shame...

Cp So you're against this inflation of art by capital?

Cd _ Well, yes, CP that seems pretty obvious that anyone... well, you know it's sort of obvious... right... being against it... its a strong thing to say..., I mean.. both of those artists are dead.. right,,, what did they make in their lives???I say take the loot. Or as my father Jean Genet said my earnings or royalties make no difference to the big machine... but these paintings well, that-the sale of those things... they've become 'defacto' things... that does make s a difference. its a terrible cruel market... of capitalist trading back and forth....

its the same thing with these fascist critics

who want to determine how an artist

should blog,, there s been one recent small critic who wants to force writers to blog according to his/her own ideas... of

things...

she/he even tried to use Challenger's ideas to

prove themselves right!

As if CHallenger could give a shite

dead or alive!

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Let the poem do the rocking ...

when two vowels go walking

the first one does the talking...

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CP many people think you're crazy that's what they say...

CD Well good! all the better! ... and besides.. you know resentment men of resentiment as Nietzsche put it...

women of resentiment....

__________AnD What I most detested was Hegelianism and dialectics.

_____

__________AnD

What I most detested was Hegelianism and dialectics.

And : The question of speed is important and also very complex. It doesn't mean the first in the race: you can be late through speed. Speed is to be caught in a becoming_ which is not a development or an evolution. One must be like a taxi, queue(ligne d'attente), line of flight, traffic jam, bottleneck, green and red lights, slightly paranoid,brushes with the police. To be an abstract and broken line, a zigzag which glides 'between'. The grass and speed. What you misnamed style just now_ charm or style_ is speed.

And :One only discovers worlds through a long, broken flight.

_AnD______as_______for___

As for the method of deconstruction of texts I see clearly what it is, I admire it a lot, but it has nothing to do with my own method. I do not present myself as a commentator on texts.

For me, a text is merely a small cog in an extra-textual practice. It is not a question of commenting on the text by a method of deconstruction, or by a method of textual practice, or by other methods; it is a question of what use it has in an extra-textual practice that prolongs the text ..

Professor D Challanger speaking

in Clinical Critical terms as the hat was in the wind

How else?

How else can one write of those things which one doesn't know, or knows badly? It is precisely here that we imagine having something to say. We write only at the frontiers of our knowledge, at the border which separates our knowledge from our ignorance and transforms the one to the other.
Only in this manner are we resolved to write. To satisfy ignorance is to put off writing until tomorrow -or rather, to make it impossible. Perhaps writing was a relation to silence altogether more threatening that that, which is supposed to entertain with death.
_______________________

Difference and Repetition.