Who’s Afraid of Philosophy?
Event Date: 19 May 2010
Institute of Contemporary ArtsIn response to the recent plans by Middlesex University to close down its philosophy department, this event seeks to provide a forum to discuss the current conditions under which philosophical research is supported and engaged with; what role does philosophy play in contemporary society, and how should this be appropriately nourished?
The Mall, London,
The Mall, London,
Within the context of priority shifts and general cuts to higher education funding, the discussion uses the immediate conditions at Middlesex to consider a broader threat to critical thought, lending a voice to the current debates and protests undertaken by students and tutors at the Middlesex campus.
The panel was chaired by Dr Alberto Toscano (Goldsmiths) with interventions by Prof Alexander Garcia Duttmann (Goldsmiths), Prof Peter Osborne (Middlesex), Dr Nina Power (Roehampton University), Prof Alex Callinicos (Kings College), Ali Alizadeh (Middlesex) and others.
Organized by InC (Continental Philosophy Research group).
For more info about the protests ongoing at Middlesex University visit the campaign website .
------------------And what is Backdoor Broadcasting Company ~ all about what they do and how ~
How It Works There are two ways we can transmit your event: one is to just record the event, or to record and to broadcast live. In both instances the recorded material will be placed in the archive for download and/or to listen to.
Before we start, we need to know whether there are microphones and amplifiers for the speakers, and the capacity of the live audience. If there are, we can plug into the existing setup and record and broadcast from there. We also have our own microphones, with which we will record straight into our stream – but we cannot amplify the speakers at the event.
Should the event be just recorded, we turn up with our equipment and record. This is relatively straightforward and all we really need is electricity.
Our standard recording and broadcasting quality is 128 kbps in stereo, which is CD quality. The recording process is always closely monitored and there will always be an operator at the place of recording.
If the event is to be broadcast live, there are several things we need to know before we can start. What we require most of all is a broadband internet connection at the place where the event is hosted. Most buildings will have this. We prefer an ethernet port (wired connection) to wireless and Wi-Fi, but there are also limits to the length of cable before the signal becomes too slow; likewise with a wireless connection, physical obstacles can weaken transmission. We will always try all options before a broadcast, including mobile Internet, which we will have on our laptops. Internet access, speed and signal strength is vital to our service and organisers should ensure that adequate coverage is available.
How ‘live’ a broadcast will be often depends on the Internet connection. In order to send one stream down the line to our server, we will need a constant upload speed of at least 128kbps. Should this not be possible, we can either reduce the bitrate to 64 kbps, or send the steam later – which would make it not quite ‘live’.
Listening to the event is easy: Should it be broadcast live, it will play in the player on the right. For a recording of the event, search the archive. On the archive page the individual contributions can either be listened to there, or placed in an audio player (Windows Media Player/iTunes/RealPlayer).
Shortly after the live event, the contributions will become available as sound file downloads on the event webpage. We use the mp3 format for our broadcasts and downloads. To download a file, simply right click on the ‘download’ below the relevant title and save to disk.Fees The Backdoor Broadcasting Company is a webcasting service, and will therefore charge the organisers, not the listeners. Most fees are negotiable, depending on the size of event and levels of technical complexity. But to get an idea about the cost involved, the figure of £60 per recorded/broadcast hour (minimum 90 minutes) can be taken as the average charge. This includes the recording and/or broadcasting the event, a permanent webpage with players and downloads, as well as a physical copy of the recording in any format.
Organisers can, if they wish, have gating mechanisms attached to their broadcast, either for security reasons or for charging the listeners. Setting this up requires a separate domain and organisers will be billed accordingly. Other charges are likely to be travel, lodging (if overnight stays are necessary), editing, transfer to other formats, additional webspace/design, and advertising. All prices are exclusive of VAT.People The people involved in the Backdoor Broadcasting Company are:
- René Wolf: Company director and proprietor, who set up the Backdoor Broadcasting Company in May 2008. He is a radio historian and teaches Modern European History at Royal Holloway University of London (publications). Prior to his academic endeavours René ran a Jazz club in London. (email)
- Fausto Caceres: Website and sound design. Fausto is a sound designer from San Francisco, presently residing in the PR of China. Involved in innumerable projects, from soundtracks to ethnomusicology, he is known to many as the mild-mannered overlord of Shirley & Spinoza Radio. (email)
- Tobi Mannouris: Technical director. Tobi is an IT specialist with network and systems expertise, and of all technical wizardry, as well as being a musician. (email)—————————–Contact:
Please send email enquiries via the CONTACT page
or with the information below :
Backdoor Broadcasting Company Ltd.
57 Divinity Road
United KingdomLegal Matters Please go HERE for detailed legal information