Radio DelEuZe

24.8.10

__ CP enter the head studio . She wear peacenik cloth. She wear nonretronostalgic get-up of present weartearthread. Her body loosehem gardenrobe.

cAN YOU explain for our listener your previous comment .... you mention breaking off with other artists. Yet as far as I know you never had a group you were working with. Yes, you worked with Franny and the girls. In there oui. And in the 70's and some 80's with performance .

Is there a project I knew not of? Of not new? Performance clandestine?

CD: I said ____ apparently __ but not being a prize winner _ I cant remember anything_ not being academic __ matter_ not being short listed __ what does I know of memorize ___ My memory is verb _ anyhow, not being at all is what. And he said I said : or wrote did I write he said did I write said at

'thats one of the reason I 'broke' off communicating with artists

who are writing under the

mistaken pretence|| that they are themselves when writing and doing art|||___ many of these artists are doing things in what are perceived as

critical,|| genre breaking modes..____, in my view, they are not doing this' radio deleuze___| Yet
though this was said its not like you were ever . You cannot have 'broken' as you were not ever in touch. Was there a moment this was ? SHe tag him butter to the weed. Kesus turn around|Come to Mary M. She lover to the skin of body. Ever to the folding range of. Mouth of rhythm to. Come thy afflictions the cross betweens explain and inplain. One speak of plain and plane. And rereoplane. Does have geography of roamning? How does it

Practice
________________________In this version of story. Kesus is in bed with the Queen of Angleland. The boy has a buttock. Over come Merry Mag. She want to action. After the end. Overcome animal ugly. Or is this the famous plex? Come along lovely. Cannot she
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CP : Cd is not writing directly these days . He is moving into indirect undirected thought and prose practice.

CD: thank you CP

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__________AnD What I most detested was Hegelianism and dialectics.

_____

__________AnD

What I most detested was Hegelianism and dialectics.

And : The question of speed is important and also very complex. It doesn't mean the first in the race: you can be late through speed. Speed is to be caught in a becoming_ which is not a development or an evolution. One must be like a taxi, queue(ligne d'attente), line of flight, traffic jam, bottleneck, green and red lights, slightly paranoid,brushes with the police. To be an abstract and broken line, a zigzag which glides 'between'. The grass and speed. What you misnamed style just now_ charm or style_ is speed.

And :One only discovers worlds through a long, broken flight.

_AnD______as_______for___

As for the method of deconstruction of texts I see clearly what it is, I admire it a lot, but it has nothing to do with my own method. I do not present myself as a commentator on texts.

For me, a text is merely a small cog in an extra-textual practice. It is not a question of commenting on the text by a method of deconstruction, or by a method of textual practice, or by other methods; it is a question of what use it has in an extra-textual practice that prolongs the text ..

Professor D Challanger speaking

in Clinical Critical terms as the hat was in the wind

How else?

How else can one write of those things which one doesn't know, or knows badly? It is precisely here that we imagine having something to say. We write only at the frontiers of our knowledge, at the border which separates our knowledge from our ignorance and transforms the one to the other.
Only in this manner are we resolved to write. To satisfy ignorance is to put off writing until tomorrow -or rather, to make it impossible. Perhaps writing was a relation to silence altogether more threatening that that, which is supposed to entertain with death.
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Difference and Repetition.