Radio DelEuZe: _-_Yacine_Sebti_samples

30.9.10

_-_Yacine_Sebti_samples_Deleuze

I blogged this video about a year. back Back ~ Butyet agin' Im doing it now with more information about the artist and links to her website. I find her work innovative , unusual, provocative and Joyful. A diversity of things and objects. new objects new means. Rhthms unknown in contrast to the usual predictable metric subject object paradigm

Yacine Sebti sounds &; images with the KRL, a new instrument for digital performance invented by Rémi Dury and presented at iMAL, Tech Meeting#2, 27 Nov 2007, Brussels

Perhaps I am over-estimating his work. Maybe not . maybe I underestimate. Maybe its between the two and does not matter . what does matter is that it is Fun. We need Fun. I once did a big show called , on the contrary , No More Fun.

That was a Punketariat installation performance with 5 others that lasted 6 days. Vast wall size collage, hours and hours of recordings and live performance of poetry. Punketariat was ragged and punk ~ nowadays the times have changed ~

_________________ Yacine's website contains interactive video ~ installations which to me refers to a sort of outside the subect whereby the movement of things is what counts. Counting is a poetic motion and therefore.

Times have changed Yacine's work has clean edges both in itsformatting and presentation of its expressions.

Yacine think of the name: Not Racine__ not rooted bu t chaotic boated ~is Yacine est un homme ou une femme . Peut-etre elle est deux. Entre god and deux.

This is a quote from

another installion

called Meet Somebody

'"Who is this other one? What place does he/she take in my reality, in my imagination? How and how far can we meet each other?"

Visit the webpage

of Yacin e

its already

years aged

what is time? what is time anyhow?

______________________

__________AnD What I most detested was Hegelianism and dialectics.

_____

__________AnD

What I most detested was Hegelianism and dialectics.

And : The question of speed is important and also very complex. It doesn't mean the first in the race: you can be late through speed. Speed is to be caught in a becoming_ which is not a development or an evolution. One must be like a taxi, queue(ligne d'attente), line of flight, traffic jam, bottleneck, green and red lights, slightly paranoid,brushes with the police. To be an abstract and broken line, a zigzag which glides 'between'. The grass and speed. What you misnamed style just now_ charm or style_ is speed.

And :One only discovers worlds through a long, broken flight.

_AnD______as_______for___

As for the method of deconstruction of texts I see clearly what it is, I admire it a lot, but it has nothing to do with my own method. I do not present myself as a commentator on texts.

For me, a text is merely a small cog in an extra-textual practice. It is not a question of commenting on the text by a method of deconstruction, or by a method of textual practice, or by other methods; it is a question of what use it has in an extra-textual practice that prolongs the text ..

Professor D Challanger speaking

in Clinical Critical terms as the hat was in the wind

How else?

How else can one write of those things which one doesn't know, or knows badly? It is precisely here that we imagine having something to say. We write only at the frontiers of our knowledge, at the border which separates our knowledge from our ignorance and transforms the one to the other.
Only in this manner are we resolved to write. To satisfy ignorance is to put off writing until tomorrow -or rather, to make it impossible. Perhaps writing was a relation to silence altogether more threatening that that, which is supposed to entertain with death.
_______________________

Difference and Repetition.