Radio DelEuZe: Ni de sujet s ni des themes ....

4.2.11

Ni de sujet s ni des themes ....

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reading as I was reading

   the photo of the escalato line the fragment and (piece) of book

   sex is waiting my darling
   sweet one with your weathers
   and darling socks

----------------------------------------------------------------------- has there been a bird
com back / hear this / which I've not yet / thought of your long boats /smooth lips/ eyes damask as
the purple of weather / and the brown ~ ____________________

___________________________________ includ'd _A programme (radio france)
dedicated to Doctor Deleuze and musique ~ (from October)

'Gilles Deleuze fait partie de ces philosophes qui pensent avec leurs oreilles.

Son exceptionnelle curiosité l'a conduit vers la musique baroque et tout autant vers les compositeurs avant-gardistes.

S'il aimait écouter Schumann et Charles Trenet, il se passionnait pour Boulez et toutes les formes sonores qui lui permettaient de créer ses propres concepts.

Ce lecteur de Spinoza et de Nietzsche est désormais l'une des références majeures de la philosophie mais aussi des artistes aujourd'hui.

Comment Deleuze est-il devenu le DJ le plus inventif de la pensée contemporaine? '

Trois ...y répondent : Pascale Criton, compositrice et musicologue, Anne Sauvagnargues, professeur de philosophie à l'université de Paris Ouest et Aliocha Wald-Lasowski, professeur de philosophie à l'université catholique de Lille.

Vous pourrez entendre au cours de l'émission :

- Concerto n°2 pour violoncelle et orchestre (arr. pour violon par le compositeur) op 129 de Robert Schumann, interprété par Claire Désert et Philippe Graffin

- Eclat de Pierre Boulez, dirigé par Pierre Boulez

- Le chant des oiseaux de Clément Janequin

- Moment musical n°3 de Franz Schubert, interprété en studio par Agnès Olier

- Artefact de Pascale Criton, interprété par l'ensemble 2e2m

- Prova d'orchestra de Nino Rota

- Dimanche prochain de Charles Trenet

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you have been
an
animal
between
breaths
of animation

the space

of the city

and those
fighting

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__________AnD What I most detested was Hegelianism and dialectics.

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__________AnD

What I most detested was Hegelianism and dialectics.

And : The question of speed is important and also very complex. It doesn't mean the first in the race: you can be late through speed. Speed is to be caught in a becoming_ which is not a development or an evolution. One must be like a taxi, queue(ligne d'attente), line of flight, traffic jam, bottleneck, green and red lights, slightly paranoid,brushes with the police. To be an abstract and broken line, a zigzag which glides 'between'. The grass and speed. What you misnamed style just now_ charm or style_ is speed.

And :One only discovers worlds through a long, broken flight.

_AnD______as_______for___

As for the method of deconstruction of texts I see clearly what it is, I admire it a lot, but it has nothing to do with my own method. I do not present myself as a commentator on texts.

For me, a text is merely a small cog in an extra-textual practice. It is not a question of commenting on the text by a method of deconstruction, or by a method of textual practice, or by other methods; it is a question of what use it has in an extra-textual practice that prolongs the text ..

Professor D Challanger speaking

in Clinical Critical terms as the hat was in the wind

How else?

How else can one write of those things which one doesn't know, or knows badly? It is precisely here that we imagine having something to say. We write only at the frontiers of our knowledge, at the border which separates our knowledge from our ignorance and transforms the one to the other.
Only in this manner are we resolved to write. To satisfy ignorance is to put off writing until tomorrow -or rather, to make it impossible. Perhaps writing was a relation to silence altogether more threatening that that, which is supposed to entertain with death.
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Difference and Repetition.