Radio DelEuZe: aBC

25.4.07

aBC

Semiotext(e) presents: GILLES DELEUZE “ FROM A TO Z ” _________________________________________ From A to Z is a series of 24 screenings based on a filmed interview between Gilles Deleuze and Claire Parnet. Each screening shows one letter from the 8 hour long interview and groups other films around each theme presented by Deleuze, from "A as in Animal" to "Z as in Zigzag." _________________________________________ Screening Number Six: "F as in Friendship" Sunday, April 29th, 2007, 8:30 p.m. at the Mandrake Bar 2692 S La Cienega Blvd Los Angeles _________________________________________ Pierre André Boutang: Gilles Deleuze / Claire Parnet: From A to Z: "F as in Frendship" (1988) 15 minutes (Translated by Charles J. Stivale) Danièle Huillet and Jean-Marie Straub: En rachâchant (1982) 7 minutes (Story by Marguerite Duras) Harun Farocki: Jean-Marie Straub and Daniele Huillet at Work on Franz Kafka's "Amerika" (1983) [Exerpt] 10 minutes Pedro Costa: Where Does Your Hidden Smile Lie? (2001) [ A portrait of Danièle Huillet and Jean-Marie Straub during the editing of Sicilia!] 65 minutes __________________________________________ Screening Number Seven: "G as in Gauche (Left)" with films by Chris Marker, Jean-Luc Godard...

__________AnD What I most detested was Hegelianism and dialectics.

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__________AnD

What I most detested was Hegelianism and dialectics.

And : The question of speed is important and also very complex. It doesn't mean the first in the race: you can be late through speed. Speed is to be caught in a becoming_ which is not a development or an evolution. One must be like a taxi, queue(ligne d'attente), line of flight, traffic jam, bottleneck, green and red lights, slightly paranoid,brushes with the police. To be an abstract and broken line, a zigzag which glides 'between'. The grass and speed. What you misnamed style just now_ charm or style_ is speed.

And :One only discovers worlds through a long, broken flight.

_AnD______as_______for___

As for the method of deconstruction of texts I see clearly what it is, I admire it a lot, but it has nothing to do with my own method. I do not present myself as a commentator on texts.

For me, a text is merely a small cog in an extra-textual practice. It is not a question of commenting on the text by a method of deconstruction, or by a method of textual practice, or by other methods; it is a question of what use it has in an extra-textual practice that prolongs the text ..

Professor D Challanger speaking

in Clinical Critical terms as the hat was in the wind

How else?

How else can one write of those things which one doesn't know, or knows badly? It is precisely here that we imagine having something to say. We write only at the frontiers of our knowledge, at the border which separates our knowledge from our ignorance and transforms the one to the other.
Only in this manner are we resolved to write. To satisfy ignorance is to put off writing until tomorrow -or rather, to make it impossible. Perhaps writing was a relation to silence altogether more threatening that that, which is supposed to entertain with death.
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Difference and Repetition.