Radio DelEuZe

2.8.10

Cata___

I obscure the words of the brain.

Did ya get it figured out/in? Dig yer word flashing over this hear screen.

its fantastic ecriture/writing.

when do we see more?

O sir of the pen cup cusp ~

))))))))))))))))))))))))) Duffy ( Doctor schizoanalysis) (in situ) (figmenting) How doth it go? Inside the________________pragma? manprag?oomanprag? eedrag. O lefbeehinder wheel of rubble ? slimply pellfellroute mell.

the question is can you smoke a cigarette spell at the saimetyme? comealong ye heartlees, downwind yr straining bkooks are no flud.

tu cherche midi a quatorze heures? pourquoi donc?|||||||||||||||| O magialee you are the

fluties of waistress.Yer waist is dynamic spelling health with its beautiful wheel. Je travaille nuit et jour et gagne même pas un sou. A Irlande on est très pauvre. The first n'thirds are fairygood. Leibnitz fairyfell ~

Love Deed Doctor Schizoanalytic ~ and the perilous period ~
_________________

__________AnD What I most detested was Hegelianism and dialectics.

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__________AnD

What I most detested was Hegelianism and dialectics.

And : The question of speed is important and also very complex. It doesn't mean the first in the race: you can be late through speed. Speed is to be caught in a becoming_ which is not a development or an evolution. One must be like a taxi, queue(ligne d'attente), line of flight, traffic jam, bottleneck, green and red lights, slightly paranoid,brushes with the police. To be an abstract and broken line, a zigzag which glides 'between'. The grass and speed. What you misnamed style just now_ charm or style_ is speed.

And :One only discovers worlds through a long, broken flight.

_AnD______as_______for___

As for the method of deconstruction of texts I see clearly what it is, I admire it a lot, but it has nothing to do with my own method. I do not present myself as a commentator on texts.

For me, a text is merely a small cog in an extra-textual practice. It is not a question of commenting on the text by a method of deconstruction, or by a method of textual practice, or by other methods; it is a question of what use it has in an extra-textual practice that prolongs the text ..

Professor D Challanger speaking

in Clinical Critical terms as the hat was in the wind

How else?

How else can one write of those things which one doesn't know, or knows badly? It is precisely here that we imagine having something to say. We write only at the frontiers of our knowledge, at the border which separates our knowledge from our ignorance and transforms the one to the other.
Only in this manner are we resolved to write. To satisfy ignorance is to put off writing until tomorrow -or rather, to make it impossible. Perhaps writing was a relation to silence altogether more threatening that that, which is supposed to entertain with death.
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Difference and Repetition.