Radio DelEuZe: Now .... and

6.4.11

Now .... and

____________________Lift out a .
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And
now that we have dealt with that subject . Let us . Move . to get time. to its coast. as making to prepare. the ride . to the south. and the boats. of givers and receivers__ nights. (knight) catatonia and their creates, and crates.

So it goes. turn that radio .................... tune that tiinkering saaawitch . we have no time , death is coming. a great greedy horse galloping.

Do the crickets sting? Do bats string goats? well hail let a well-fellow hail. Does the Ism hero remember that? his instanly insanity running down the mountain cliff of the western coastal plateau of desire. machines. and the blocs and blocks.

Is it a bloc or block
a block of wood O children

________________________Back to Paris, 1978.

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The purpose of the work. Antioedipus zing the place. As tumblers . and feet. walk tothe corner . the coroner of time's fitly habit. its habitus. as she weaved thighs off the ignore me though. and came to her riding sudden. O . Does the? Pause pare a wheel ,, tickle its fancy . She poet does her working in the iron stove. Clove to her budding . Her field is feeled. Does the older english parry its stammer beat?

__________________________________________Mona holds her nose.
Lifts her skirt. the pronunciation is according to the word.
__________________________________From the back. As any two. Knowing her girdle as a night does. She's continued his path. Antioedipus hiatus huddled. Antigone fare won the f ace. As the face. Won through. And rough cup to its die.

So the cup wore high. And the hair, and flowers, scented over the road.Arriving the river lust. Of its cup meant stir

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__________AnD What I most detested was Hegelianism and dialectics.

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__________AnD

What I most detested was Hegelianism and dialectics.

And : The question of speed is important and also very complex. It doesn't mean the first in the race: you can be late through speed. Speed is to be caught in a becoming_ which is not a development or an evolution. One must be like a taxi, queue(ligne d'attente), line of flight, traffic jam, bottleneck, green and red lights, slightly paranoid,brushes with the police. To be an abstract and broken line, a zigzag which glides 'between'. The grass and speed. What you misnamed style just now_ charm or style_ is speed.

And :One only discovers worlds through a long, broken flight.

_AnD______as_______for___

As for the method of deconstruction of texts I see clearly what it is, I admire it a lot, but it has nothing to do with my own method. I do not present myself as a commentator on texts.

For me, a text is merely a small cog in an extra-textual practice. It is not a question of commenting on the text by a method of deconstruction, or by a method of textual practice, or by other methods; it is a question of what use it has in an extra-textual practice that prolongs the text ..

Professor D Challanger speaking

in Clinical Critical terms as the hat was in the wind

How else?

How else can one write of those things which one doesn't know, or knows badly? It is precisely here that we imagine having something to say. We write only at the frontiers of our knowledge, at the border which separates our knowledge from our ignorance and transforms the one to the other.
Only in this manner are we resolved to write. To satisfy ignorance is to put off writing until tomorrow -or rather, to make it impossible. Perhaps writing was a relation to silence altogether more threatening that that, which is supposed to entertain with death.
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Difference and Repetition.